Simulcasting is definitely an integral part of the developing histories of media platforms, including both radio and television. Newcomb, Horace. Encyclopedia of Television. On the list of earliest TV experiments is simulcasting existing radio content over TV airwaves. Currie, Tony, and Peter Fiddick. However, there’s something novel concerning the simulcasting of this syndicated sports talk show, the Dan Patrick Show in every of its various mediated forms. The Dan Patrick’s Show, which includes existed in a variety of incarnations since 1999, is currently delivered primarily on a separate DirecTV station (“the 101”) and simulcast on numerous terrestrial and satellite r / c. Patrick’s content can be area of the Sports Illustrated and CNN networks, all beneath the auspices of their time Warner. Therefore, content produced for Patrick’s daily radio program often eventually ends up recontextualized in a period Warner owned/distributed print publication and vice versa. In other word, content from your Dan Patrick Show isn’t contained because of the borders on the show’s text, but is instead transmitted throughout various Time Warner media holdings, leading to branded content that become identifiable as Dan Patrick.
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While the DP show is intriguing like a media juggernaut and everything its platforms, I’d prefer to focus my interest upon this reflexive notion of “watching production.” Watching the Dan Patrick Show on DirecTV allows a viewer never to only see Patrick connect to his producers, “The Dan-ettes”, because they book guests, update the daily online poll or troll the interactive chat room dubbed the “Locker Room” for interesting comments, but additionally supplies the viewer having an random education in media production over multiple platforms. Think about it as a backstage musical, with sports talk and webcams. As the DP Show isn’t primarily a “radio show on TV” or perhaps a “radio broadcast of an Television show,” it functions as something among. The DP Show’s custom-made studio space referred to as “the person cave,” features such masculine hallmarks as being a golf simulator, beer keg and wall of supermodel pin-ups. As an additional nod towards the particularly hyper-masculine nature in the DP Show, everyone posesses nickname and each producer’s manhood is challenged via weekly tests of humiliation such as for example in-studio dodgeball, free-throw shooting tests and beard-growing trials.
Additionally, gleam running blog for any show plus a voluminous chatroom known on the show because the “Locker Room.” Henry Jenkins calls this production strategy a “circulation of media content” that encourages media consumers “to search out new information and make connections among dispersed media content.” ((Jenkins, Henry. Convergence Culture: Where Old and New Media Collide. The “sports talk” show is definitely a touchstone for mediated sports programming. Before recent onslaught of media convergence inside the sports media industry, the “sports talk” phenomenon was largely relegated to AM radio with localized fiefdoms, such as for example Jim Rome over the West Coast or Mike along with the Mad Dog inside the Northeast. When Dan Patrick, among ESPN’s more famous “talking heads,” left ESPN, he became a central piling for any Chicago-based media branding company, this content Factory. When Patrick was still with ESPN, his radio shows were simulcast on TV, and looked like the demonstrates ESPN continues to create.
In this age of convergent media, it appears that the DP Show and its own parent distributors have deemed it essential to produce not just a radio broadcast or TV program for any four-hour time slot, but additionally that multiple, new media iterations of content should be constructed aswell for the show for being profitable. While this appears to have a made-to-order degree of interactivity for sports fans, it strikes me that multiple platform/concurrent production model could be synecdochal of the brand new media landscape; it isn’t enough to create one media product, but instead one must produce five or six simultaneously. Again, as Jenkins asserts, media “convergence identifies a process, no endpoint” and certainly the producers in the multiple streams of media in the DP Show are striving for an activity rather than self-contained singular narrative. This sort of production isn’t this is the antiquated practice of simulcasting the audio part of a TV broadcast on radio, neither is it simply televising the production of a radio broadcast. This trend in “sports talk” radio/TV isn’t unique to Dan Patrick.